Figure Name | syncope |
Source | Silva Rhetoricae (http://humanities.byu.edu/rhetoric/Silva.htm); Isidore 1.35.3; Mosellanus ("syncope" "concisio") a3v; Susenbrotus (1540) 20; Sherry (1550) 27 ("syncope," "consicio"); Wilson (1560) 202 ("cutting from the midst"); Peacham (1577) E2v; JG Smith (1665) ("syncope"); Macbeth (1876); Holmes (1806) ("syncope") |
Earliest Source | None |
Synonyms | consicio, cutting from the midst, mid-cut |
Etymology | from Gk. syn and koptein, "to strike off" |
Type | Scheme |
Linguistic Domain |
Orthographic Phonological |
Definition |
1. Cutting letters or syllables from the middle of a word. A kind of metaplasm. (Silva Rhetoricae) 2. a cutting away, or a rendring shorter: a figure of Prosodia, when a letter or syllable is taken away from the midst of a word.; SYNCOPE, a cutting away. Syncope is a figure contrary to Epenthesis, and is when a letter or syllable is taken or cut away from the midst of a word. (JG Smith) 3. Mid-cut, or syncope, is our second figure, the cutting out from the middle one or more letters. (Macbeth) 4. Syncope leaves part of the middle out, Which causeth of't of case and tense to doubt. (Holmes) |
Example |
1. When "library" is pronounced "libary" You, that are thus so tender o'er his follies, O'ermaster't as you may. —Shakespeare Hamlet 1.5.140 3. "Wherever in the world am I, 3. "We ne'er are angels till our passions die." - Thomas Dekker (Macbeth) 4. Ne'er, for never; o'er, for over. (Holmes) |
Kind Of | Omission |
Part Of | |
Related Figures | metaplasm, figures of omission, synaloepha, epenthesis, apocope, figures of etymology, synaeresis, crasis, synizesis |
Notes | Entered by Ashwini. |
Confidence | Unconfident |
Last Editor | Nayoung Hong |
Confidence | Unconfident |
Editorial Notes | This is one of many figures which is described as a type of metaplasm. -Nike |
Reviewed | No |